The Prague Post - How Spanish cinema hit the big time

EUR -
AED 4.313468
AFN 77.598705
ALL 96.698386
AMD 447.792527
ANG 2.102883
AOA 1077.044807
ARS 1692.205144
AUD 1.764354
AWG 2.114155
AZN 2.001365
BAM 1.955767
BBD 2.361861
BDT 143.307608
BGN 1.955767
BHD 0.442093
BIF 3466.042156
BMD 1.17453
BND 1.514475
BOB 8.102865
BRL 6.365607
BSD 1.17268
BTN 106.04923
BWP 15.537741
BYN 3.457042
BYR 23020.795811
BZD 2.358461
CAD 1.618445
CDF 2630.948518
CHF 0.934916
CLF 0.027253
CLP 1069.11676
CNY 8.28573
CNH 8.284609
COP 4466.125466
CRC 586.590211
CUC 1.17453
CUP 31.125056
CVE 110.26316
CZK 24.276491
DJF 208.826515
DKK 7.472132
DOP 74.548756
DZD 152.289758
EGP 55.571073
ERN 17.617956
ETB 183.229742
FJD 2.668303
FKP 0.879936
GBP 0.878351
GEL 3.175767
GGP 0.879936
GHS 13.461775
GIP 0.879936
GMD 85.741137
GNF 10198.829794
GTQ 8.98185
GYD 245.335906
HKD 9.138141
HNL 30.873485
HRK 7.537789
HTG 153.707435
HUF 385.234681
IDR 19536.845016
ILS 3.785271
IMP 0.879936
INR 106.394254
IQD 1536.174363
IRR 49474.161194
ISK 148.465122
JEP 0.879936
JMD 187.756867
JOD 0.832789
JPY 182.950774
KES 151.217476
KGS 102.713135
KHR 4694.921647
KMF 492.719958
KPW 1057.060817
KRW 1732.32708
KWD 0.360233
KYD 0.977284
KZT 611.589793
LAK 25422.575728
LBP 105012.44747
LKR 362.353953
LRD 206.976546
LSL 19.78457
LTL 3.468083
LVL 0.710462
LYD 6.369894
MAD 10.78842
MDL 19.823669
MGA 5194.913303
MKD 61.548973
MMK 2466.385496
MNT 4167.553805
MOP 9.403343
MRU 46.930217
MUR 53.93488
MVR 18.092159
MWK 2033.466064
MXN 21.157878
MYR 4.812408
MZN 75.064681
NAD 19.78457
NGN 1706.088063
NIO 43.15928
NOK 11.906572
NPR 169.679168
NZD 2.023657
OMR 0.451612
PAB 1.17268
PEN 3.948134
PGK 5.054916
PHP 69.43241
PKR 328.640215
PLN 4.225315
PYG 7876.868545
QAR 4.273829
RON 5.092651
RSD 117.378041
RUB 93.579038
RWF 1706.771516
SAR 4.407079
SBD 9.603843
SCR 17.649713
SDG 706.484352
SEK 10.887784
SGD 1.517615
SHP 0.881202
SLE 28.335591
SLL 24629.319496
SOS 668.988835
SRD 45.275842
STD 24310.407882
STN 24.499591
SVC 10.260829
SYP 12986.886804
SZL 19.77767
THB 37.109332
TJS 10.77682
TMT 4.122602
TND 3.428143
TOP 2.827988
TRY 50.011936
TTD 7.957867
TWD 36.804032
TZS 2902.351563
UAH 49.548473
UGX 4167.930442
USD 1.17453
UYU 46.019232
UZS 14127.764225
VES 314.116117
VND 30897.196663
VUV 142.580188
WST 3.259869
XAF 655.946053
XAG 0.018954
XAU 0.000273
XCD 3.174228
XCG 2.113465
XDR 0.815786
XOF 655.946053
XPF 119.331742
YER 280.129715
ZAR 19.820741
ZMK 10572.187233
ZMW 27.059548
ZWL 378.198309
  • RBGPF

    0.0000

    81.17

    0%

  • SCS

    0.0200

    16.14

    +0.12%

  • NGG

    0.2400

    74.93

    +0.32%

  • RYCEF

    -0.2500

    14.6

    -1.71%

  • CMSC

    -0.1300

    23.3

    -0.56%

  • RELX

    0.1000

    40.38

    +0.25%

  • GSK

    -0.0700

    48.81

    -0.14%

  • CMSD

    -0.1500

    23.25

    -0.65%

  • BCE

    0.3100

    23.71

    +1.31%

  • VOD

    0.0500

    12.59

    +0.4%

  • AZN

    -0.4600

    89.83

    -0.51%

  • BP

    -0.2700

    35.26

    -0.77%

  • BTI

    -1.2700

    57.1

    -2.22%

  • JRI

    -0.0200

    13.7

    -0.15%

  • BCC

    0.2500

    76.51

    +0.33%

  • RIO

    -1.0800

    75.66

    -1.43%

How Spanish cinema hit the big time
How Spanish cinema hit the big time

How Spanish cinema hit the big time

With a Golden Bear for Spanish director Carla Simon and four compatriots nominated for Oscars, including superstars Javier Bardem and Penelope Cruz, Spanish cinema has now begun to captivate a global audience.

Text size:

When Bardem and Cruz, who have been married for over a decade, were both tapped for Oscars, the 53-year-old actor could hardly contain his excitement.

"The fact that (Penelope's) nomination was for a role in Spanish... seems really extraordinary, even historic in terms of the Spanish brand," he said in February.

Unlike other countries with a long and distinguished history of cinema, Spain has struggled to establish itself on the international stage.

So far, Luis Bunuel has been the only Spanish director to win the coveted Palme D'Or at Cannes Film Festival for his provocative 1961 feature "Viridiana".

But all that is changing, with Spanish cinema increasingly recognised for its contribution to the silver screen, the most recent being Carla Simon's triumph at this year's Berlinale where she took the top prize for "Alcarras" (2022), a Catalan drama about peach farmers.

And according to Variety magazine, Cruz is rumoured to be in the running for president of the jury at Cannes, an honour already bestowed upon the legendary Pedro Almodovar, by far Spain's best-known filmmaker.

Cruz herself is the only Spanish actress ever to win an Oscar, taking home the gong in 2009 for best supporting actress in the Woody Allen comedy "Vicky Cristina Barcelona".

And if she wins best actress at the Oscars later this month for Almodovar's "Parallel Mothers", it will be a coup for a film entirely "Made in Spain", whose soundtrack has also been nominated for best original score.

- Years of work by film schools -

The score was written by Basque composer Alberto Iglesias, who has worked with Almodovar for two decades on 13 of his films. This is the fourth time an Iglesias soundtrack has been nominated for an Oscar.

For him, there is "strong momentum" within Spanish cinema.

"There is an energy... it has to do with the film schools that have been working for a long time to create new filmmakers," he told AFP.

"It has been really difficult for Spanish cinema to cross the threshold and get into these big international festivals," explains Pilar Martinez-Vasseur, director of the Spanish Film Festival in the French city of Nantes.

Spanish films which have received acclaim abroad are often not identified as such, she said, pointing to the 2001 psychological thriller "The Others" starring Nicole Kidman which was directed by Spain's Alejandro Amenabar.

"In Spain, we still have the idea that Spanish cinema is bad, that it's a nest of communists, that filmmakers are pampered, they do nothing and get subsidies," she said, calling for greater support from the government.

Filmmaking in Spain receives far less state aid than in France, experts say.

Spanish cinema has had to "learn how to break into a globalised ecosystem," said Beatriz Navas who heads the Institute of Cinematography and Audiovisual Arts (ICAA), which is subsidised by the culture ministry.

"This hasn't happened overnight because you need some sort of 'greenhouse' environment where filmmakers can work with freedom," she told AFP.

"And the 'incubation time' needs to be sufficient for these productions to achieve the recognition and prestige they deserve."

- 'Spanish cinema's best moment' -

As well as Cruz, Bardem and Iglesias, Spain also has a fourth horse in the Oscar race in the shape of Alberto Mielgo's "The Windshield Wiper" which has been nominated for best animated short film.

"This is the best moment for Spanish cinema," said Jose Luis Rebordinos, director of the prestigious San Sebastian film festival.

"We are making a lot of cinema and audiovisual productions in Spain, as well as for streaming platforms which is bringing a lot of work so Spanish film technicians are getting better and better," he said.

Spain's Western-friendly landscapes have drawn Hollywood directors since the 1960s and is becoming an increasingly popular destination for filming series -- Netflix, which set up its first European studios in Madrid in 2019, scored huge hits with "Money Heist" and "Elite".

Last year, the government said it wanted Spain to become Europe's "audiovisual hub", pledging to inject 1.6 billion euros to expand the film and TV production sector by 30 percent by 2025.

"International critics are increasingly focusing on our cinematic output thanks to figures like Almodovar, Javier Bardem and Penelope Cruz," said Rebordinos.

"They are finding ways to draw more attention to Spanish cinema."

U.Ptacek--TPP